How To Guides: 75 posts

Oud is a paradox. The exquisite aroma that set the imagination of Japanese poets and Sufi mystics aflame develops as a result of a disease. When healthy, the wood of Aquilaria tree species is odorless, but once a certain type of mold affects them, they release an aromatic essence to protect their tissues from decomposition. It’s a slow process, during which blond wood turns dark and hard as a stone and develops a fragrance of uncommon complexity. It has the notes of sweet tobacco, incense, leather, and smoked spices, with a lingering undercurrent of bitter honey and crushed mint. While it’s known by many names, including aloeswood, agarwood, gaharu, or jinko, its other name, dark gold, will be instantly recognizable to oud lovers.

Although an ingredient with centuries old history in the Eastern world, it’s a relative newcomer to European perfumery. One of the first fragrances to use this note was Yves Saint Laurent’s M7, created under the direction of Tom Ford in 2002. The composition—its dramatic effect enhanced by a controversial nude male ad–had a cool, herbal top note that fell straight into the tobacco and animalic warmth of oud. It was relaunched a few years ago as M7 Oud Absolu, softer and lighter, but with the original’s vivid character.

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“What perfumes do men like?” is one of the most common questions I am asked, followed closely by “What perfumes will make women fall for me?” For both I have the same reply: each to his or her own, and instead of bothering to entice others with our perfume – a task of rather dubious merits – why not seduce ourselves instead?

Selecting perfume, however, can be tremendously complicated. The market is full of new launches, each making lofty promises, but with many smelling almost identical. There are also considerations of brand, packaging and marketing that influence us more than we are willing to admit, even to the point of obscuring our real preferences. And then there is the problem of the sheer volume of choices.

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I’m often asked for guidance to identify notes in specific perfumes. This question touches upon the larger topic of learning about fragrance–how is it made, what do various terms mean, how to parse out mixtures and so on. I’m asked about books or online materials that a non-professional can use to make sense of the intriguing and complex world of scents. Often, I direct my readers to the books by Philip Kraft and Harold McGee, but the truth is that there is no one definitive book that covers this topic. You would have to read widely and pick and choose your materials to tailor them to your interests.

What’s more, there is not one professionally recognized textbook on perfumery that all perfume students need to read. The text that comes close is Method of Creation and Perfumery by Jean Carles, originally published in 1961. I will leave a link at the end of the article, in case you want to read it. While it still remains a seminal text, much has changed in perfumery in the past decades, to the point that creation is conceptualized differently. With this in mind, where does this leave a perfume lover? What should you do in order to learn how to identify perfume notes and how to understanding fragrances better?

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Update: I have a last-minute opening in the Citrus workshop on Wednesday. You don’t need any essential oils for that class, just citrus fruit and easy-to-find spices. The seat has been taken. Thank you for your interest! If you’ve missed this round of registration, please subscribe to receive updates about new workshops.

When I first started planning my perfume classes, I decided that for the fundamental series, I will offer the option of using common spices and fruits as study aids. My belief is that anything can be useful to training our sense of smell, as long as we follow the proper technique, smell consciously and practice regularly. You can create a box of spices and study them, noting their different nuances. Even after a week of diligently smelling your spices, you will find your sense of smell much sharper.

Once you learn the basics, you can consider investing into a smelling kit. I researched a few reputable options, compare them and made the guide below. Some of the products I mention are available in the US, others in the EU. Either way, I hope to give you a few choices. And to repeat, these kits are not necessary when you first start out with your perfume explorations, but they become useful if you devote more time to unraveling notes and accords.

Tasterplace Aroma Set

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Napoleon Bonaparte is said to have used liters of cologne. While exiled on St. Helena, his servant Mameluke Ali created a blend that approximated the former emperor’s favorite combination of citrus and herbs. While my ambitions don’t reach as far as world domination, citrus fragrances nevertheless feature prominently in my perfume wardrobe. Few aromas are more uplifting and rejuvenating and their versatility makes cologne an easy fragrance type to adapt to various moods and occasions.

Hermès Eau d’Orange Verte is as classical as a beige trench coat and crisp white shirt, a blend of lemon, orange and oakmoss.  A bracing, slightly austere fragrance, it instantly makes me feel energized. The bitterness of the orange zest is softened by musk and cedarwood shavings, while a subtle touch of spice brightens the composition further.

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