Antoine Lie: 7 posts

After my mixed experience with Lys Fume, I approached the rest of Tom Ford’s Jardin Noir collection reluctantly. As I wore the fragrances  over these past few months, I grew to like them very much, especially Ombre de Hyacinth and Café Rose. While Tom Ford promised that Jardin Noir would be abloom with twisted, dark florals, the collection is neither twisted nor dark. Instead, it features elegant, polished fragrances on four different themes: lily, daffodil, hyacinth, and rose. The lack of drama is a minus, especially given the concept of this quartert, but these interpretations of classical florals are so smooth and refined that they are worth sampling.

Café Rose was created by perfumer Antoine Lie, who also worked on Azure Lime and Violet Blonde for Ford.  It is the darkest perfume from Jardin Noir, but it has a distinctive Middle Eastern flair. The woods are so pronounced that they compete with rose for top billing, while the incense gives the perfume an exotic twist. The main reason I enjoy Café Rose is for its contrast–it feels sophisticated, but at the same time, it has a flamboyant air. Too much elegance can be boring, after all.

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Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

Among the themes in today’s perfumery, violet and iris are becoming more and more common. Of course, creamy fruity and crisp green floral notes still dominate the fragrances we find at perfume counters, but if Balenciaga Paris, Shalimar Parfum Initial and Bottega Veneta are any indication, violet tinged florals are having their moment. The latest addition to this group is Tom Ford Violet Blonde. Launched in Tom Ford’s Signature Collection, where it shares company with White Patchouli, Black Orchid and Grey Vetiver, Violet Blonde is Ford’s attempt to make the cool violet-iris notes sensual.

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Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

The idea of a masculine tuberose is fascinating, simply because my own view of tuberose is that of a lush, sweet and coquettish note. While it certainly has an unapologetically seductive facet, most modern tuberose treatments place it squarely in the feminine realm. Vierges et Toreros created by Antoine Lie and Antoine Maisondieu in 2007 for the renegade niche fragrance house Etat Libre d’Orange has set out to work against this stereotype. The idea behind the composition is a tuberose note made virile and masculine, lacking its common “sugar and spice and everything nice” connotations.

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Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

Anyone familiar with the provocative aesthetic of Etat Libre d’Orange will suspect at once that the fragrance named Rien (Nothing) is likely to be a dramatic mélange. The first whiff of the fragrance proves that one’s suspicions are indeed correct—Rien is a blast of civet and leather, with bitter green and earthy iris notes weaving a dark tapestry. Bold, dramatic, overwrought, it hits all of its accords at once. Yet, those who love classical fragrances and leather notes will find Rien thrilling, since it offers a glimpse into the vanishing grand parfum tradition—challenging, complicated, and memorable. Rien has the complexity of Clinique Aromatics Elixir, the intelligence of Chanel No 19, the brashness of Robert Piguet Bandit and the sensuality of Serge Lutens Muscs Koublai Khan. It is exciting in its blend of classical themes and modern effects.

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Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

Not all celebrity scents are made equal, but then again, not all celebrities are either. I would be glad to back any Pedro Almodóvar’s actress, but Rossy de Palma, the striking and charismatic Spanish beauty, completely wins me over whether onscreen or with her perfume. Her eponymous Etat Libre d’Orange fragrance is as a perfect fit for her dramatic image as it is for me when I want my perfume to make a statement. For such a dark, smoldering rose as Rossy de Palma, making a statement is an easy task.

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