Woods: 17 posts

Narcissus is a flower that doesn’t smell floral. In general, the perfumery palette abounds in aromatics that play tricks on the senses. For instance, an iris note in fragrance smells more of carrots than of blossoms. Patchouli, a leaf, smells like woods. And so on. Narcissus, however, is one of the most intriguing ingredients. If you expect petals, April showers and gauzy lightness, you’ll be in for a surprise.

On its own narcissus absolute smells of woods and leather and has a facet reminiscent of damp hay. If you let it develop on a blotter and sniff it the next day, you’ll notice caramelized spices–cinnamon and clove–and a hint of musk.  It’s a powerful material and it often plays the role of a supporting player in the composition, lifting up the delicate floral or citrus accords or else accenting the woods and animalic notes. Guerlain’s Vol de Nuit is one of the best examples of narcissus in classical perfumery.

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If you’ve never tried any Comme des Garçons fragrances, think of the stuff you might smell at your car mechanic–tar, machine grease, burnt rubber. Today’s collection includes more than a dozen perfumes, and by and large, they have an industrial, deliberately synthetic feel (even if created with natural materials.)  To some people, these are the ultimate edgy perfumes, to others–smells to avoid.

Whatever camp you belong to, Black Eau de Toilette is likely to be a love it or hate it perfume. The name doesn’t lie–it’s a dark, potent brew. If you’ve ever dreamed of smelling like molten asphalt or barbecued ribs or a cross between the two, then your wish has come true.

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When my mother travels, she packs with her a votive candle in her favorite scent, rose, violet or mimosa. A familiar scent makes even the blandest hotel room feel cozier and brighter. I started following her example some years ago. Should one want to select from the range of excellent scented candles, the choice these days is overwhelming. So, in my new FT column, The Art of Candles, I’ve selected my current favorites.

Here is one, for instance.

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For our edition of scent diary today, I’ve selected woods as our theme. You can describe your favorite perfume that contains woods such as cedarwood, sandalwood, rosewood, etc. Although it’s a leaf, patchouli is classified as a woody note. Or you can pay attention to your environment throughout the day and see if you can notice a woody aroma–coffee, cloves, pepper also have nuances reminiscent of woods.

One of my favorite woods is cedarwood, a wood redolent either of fresh sap and violet petals or of pepper and soft smoke. In perfumery, the note called cedarwood usually comes from a type of juniper, although the precious Atlas cedarwood is also used for its plush honeyed effect. Another popular cedarwood is a synthetic called Iso E Super. To experience it unvarnished, you can try Escentric Molecules Molecule 01, which is a solution of Iso E Super, or Hermessence Poivre Samarcande, which overdoses Iso E Super.

Extra Reading: Perfumes with Cedarwood Notes

Photography by Bois de Jasmin

Despite dire prognoses that perfumery is dying and that “there is nothing good anymore”, this year brought a number of fragrances I was happy to discover, namely, Azzedine Alaia, Galop d’Hermès and L‘Envol de Cartier. I point out these three perfumes in particular, because I not only liked them, I wore them so much that they now can be called staples. That all three are easily available from the department store is a bonus point. I’ve reviewed Alaia and Galop here, while my discussion of L’Envol de Cartier appears in my FT column, Fragrance Inspired by Flight.

“The idea of a fragrance inspired by flight has two iconic precedents, both from the 1930s. Caron’s marvellous orange chypre En Avion was dedicated to the first women pilots such as Hélène Boucher and Amelia Earhart, while Guerlain’s Vol de Nuit paid homage to the writer and pioneering aviator Antoine de Saint-Exupéry. These are fitting associations because flight is key to understanding fragrance – perfume takes off in the air the moment the liquid touches the skin. Perfumers control the effects of their compositions by using materials of different volatilities – citrus and green notes soar in an instant; musks and woods are slower to become airborne.

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