agarwood: 3 posts

Oud is a paradox. The exquisite aroma that set the imagination of Japanese poets and Sufi mystics aflame develops as a result of a disease. When healthy, the wood of Aquilaria tree species is odorless, but once a certain type of mold affects them, they release an aromatic essence to protect their tissues from decomposition. It’s a slow process, during which blond wood turns dark and hard as a stone and develops a fragrance of uncommon complexity. It has the notes of sweet tobacco, incense, leather, and smoked spices, with a lingering undercurrent of bitter honey and crushed mint. While it’s known by many names, including aloeswood, agarwood, gaharu, or jinko, its other name, dark gold, will be instantly recognizable to oud lovers.

Although an ingredient with centuries old history in the Eastern world, it’s a relative newcomer to European perfumery. One of the first fragrances to use this note was Yves Saint Laurent’s M7, created under the direction of Tom Ford in 2002. The composition—its dramatic effect enhanced by a controversial nude male ad–had a cool, herbal top note that fell straight into the tobacco and animalic warmth of oud. It was relaunched a few years ago as M7 Oud Absolu, softer and lighter, but with the original’s vivid character.

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I’m sitting in front of smoldering joss sticks trying to determine whether they smell of the milky sweetness of sandalwood or the raspy sharpness of cedar. A young woman with a glossy black bob lights one stick after another, blowing each out with a gentle wave of her hand. I’m unused to kneeling for so long, and I feel the crunch of tatami mats through my thin wool trousers. The back of my head throbs slightly from jet lag, and I am being overwhelmed by the size of Tokyo and the strain of trying to remember Japanese covered by layers of other languages I’ve learned since my university days. I also feel anxious that I may not be able to guess the scents correctly, but then I remember my perfumery teacher’s words “don’t think, just smell,” and I let myself go.

I’m inside a Shoyeido incense store hidden in the elegant Aoyama district of Tokyo. Nearby are the glittering avenues of Harajuku, lined with fashion boutiques and populated by some of the most stylish people on the planet, but inside the earth toned store, there is only serenity and incense.

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Oud, or agarwood, is the biggest perfumery trend of the past ten years, and while it might occasionally show signs of flagging, it won’t disappear anytime soon. While we have seen many excellent fragrances based on the note derived from the resin of the Aquilaria tree species, uninspiring, bland compositions have been just as common. In my latest FT magazine column, The Best Oud-Based Perfumes, I explain what makes oud as a perfume note and a traditional Middle Eastern ingredient so important. Then, I describe several oud-based fragrances that I consider gold standards. Since oud is a material that comes from an endangered plant species, I also talk about the ethical issues we have to keep in mind as we seek out oud perfumes.

“Oud is a paradox. The exquisite aroma that set the imagination of Japanese poets and Sufi mystics aflame develops as a result of a disease. When healthy, the wood of the Aquilaria tree species is odourless, but once a certain type of mould affects them, they release an aromatic essence to protect their tissues from decomposition. It’s a slow process, during which blond wood turns dark and hard as a stone and develops a fragrance of uncommon complexity. It has the notes of sweet tobacco, incense, leather and smoked spices, with a lingering undercurrent of bitter honey and crushed mint. While it’s known by many names, including aloeswood, agarwood, gaharu, or jinko, its other name, dark gold, will be instantly recognisable to oud lovers. To continue reading, please click here.”

What are your favorite oud fragrances?

Photography by Bois de Jasmin, oud chips and essence.