Jean-Claude Ellena: 41 posts

Even for the accomplished perfumer, re-orchestrating a classic is a formidable task. Not only does the new version have to respect the original spirit, it needs to add a new, distinctive twist. In addition, it must also follow current regulatory stipulations on the use of ingredients, be on budget and make sense within the brand’s DNA. No wonder most remakes fall short of such high expectations.

Hermès is a more respectful brand than most others of its heritage, but I was nevertheless skeptical of the proposition to rework their classics, which include such legends as Caléche and modern gems such as Hiris. The consolation was that  the new versions redesigned by in-house perfumer Jean-Claude Ellena would live alongside the originals. The first in the series was Bel Ami Vétiver, which reinterpreted the leather chypre from 1986.

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When it comes to telling compelling stories, Hermès takes the prize. The house’s perfumer, Jean-Claude Ellena, is the author of Perfume: The Alchemy of Scent and The Diary of a Nose, and he is a natural storyteller. Perfumes in the Hermessence collection are like pages from his personal journal, some inspired  by his travels, others by his native Provence. Epice Marine, introduced earlier this fall, was likewise inspired by Ellena’s adventures, but this time it’s also marked by a collaboration with another artisan.

The fragrance came together as Ellena met and corresponded with chef Olivier Roellinger. Ellena travels the world in search of interesting scents, while Roellinger’s quest is for spices. Back in Brittany, a fog shrouded region along France’s northern shore, he composes spices into complex bouquets. If your idea of a spice blend is a Madras curry mix, then Roellinger’s delicate, harmonious blends will come as a surprise. When I sprinkle his Poudre Sérinissima over a tomato salad, I also want to dust my skin with this ginger and saffron accented powder. Who else could be a better collaborator and muse for a perfumer?

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When I reviewed Annick Goutal colognes recently, I mentioned that the trio would be great for those who are new to this fresh citrusy genre. The Hermès cologne collection would be my other recommendation. You can have a cologne flight starting from the champagne dryness of Eau d’Orange Verte and continuing with the white wine effervescence of Eau de Pamplemousse Rose. If you’re ready to try something more challenging, Eau de Gentiane Blanche offers a cocktail of green peppers and milky sap oozing from dandelions.

With Eau de Narcisse Bleu and Eau de Mandarine Ambrée having recently joined the collection, you have even more interesting choices. The fragrances round out Hermès’s cologne offerings with the elegant interpretation of spring flowers and sweet citrus. Both fragrances are polished and refined in a way that is typical of most fragrances by Jean-Claude Ellena, and either would be equally suited to both men and women.

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It might seem strange to wear a gauzy floral perfume during the first weeks of winter, when warm, rich scents might seem more appropriate. But Jour d’Hermès has so much radiance that it lights up the darkest of days, and this trait, along with a coquettish playfulness, is what caught my attention. It’s the latest addition to the Hermès fragrance collection, and like many recent launches, it was created by perfumer Jean-Claude Ellena.

Jour d’Hermès has the weightless presence, brightness and luminosity of Ellena’s other fragrances. It’s a delicate vignette of floral notes that unravels into the drydown of musk. The description may not seem exciting, and it’s true that Jour d’Hermès doesn’t have the opulence or drama that you might find in say, a Serge Lutens composition. But despite its understated presence, it has so many facets that it’s exciting to wear. It’s also an uplifting and happy perfume, as if Ellena infused the liquid with some of the Mediterranean sunshine.

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One autumn afternoon as I was walking home through a park and wading slowly through the piles of golden leaves, I wondered if there is a perfume in my collection that could match this serene and yet exhilarating atmosphere. Of course, I have my beloved Guerlain Mitsouko and Chanel Bois des Iles, which are some of the most quintessentially autumnal scents, but Mitsouko is too damp and plush, while Bois des Iles is too austere and cool. I wanted a perfume that smelled sunlit and bright, warm and bracing, with a hint of nutty sweetness from burnished leaves.

When I smelled Hermès L’Ambre des Merveilles after one such walk, I discovered with a surprise that it captured part of my golden autumnal fantasy. It’s a fragrance of woods, amber and vanilla, but L’Ambre des Merveilles avoids heavy sweetness and instead has plenty of luminosity. You can almost see the sun glittering on the crimson maple leaves as you smell it.

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